This sandstone sculpture represents an Alasa Kanya - literally, “indolent maiden”—a highly polished Bhangima iconography of Kachhapaghatas that became popular in Indian temple art. She stands in a relaxed pose, her torso subtly twisted, one arm up over her head in the graceful uromandali hasta, giving off a sense of self-absorption and sensual charm. These figures were not just decorative; they had a place into architectural treatises like the Shilpa Prakasha and classified into multiple expressive types, each depicting a distinct emotional or moment.