Gauri
Directorate of Archaeology, Archives and Museums M.P.
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This 10th-century stone sculpture of Gauri, discovered in Bhanpura near Mandsaur, beautifully captures the grace and symbolism of the Pratihara era’s artistry. Gauri, a gentle and auspicious form of Parvati, stands in an elegant posture, embodying purity, prosperity, and divine strength. Though her hands are damaged, she likely once held a lotus and a water pot—common symbols in depictions of the goddess. At her feet, a partially visible mongoose, her divine companion, adds a subtle yet powerful touch. Despite some weathering, the sculpture’s delicate features, flowing garments, and calm presence speak volumes about early medieval India's devotion to the feminine divine and its refined sculptural tradition.
Name: Gauri
Origin: 10th Century C.E.,Bhanpura (Mandsaur Distt.)
Currently at: Bhopal State Museum
Gauri
This stone sculpture, a representation of the Hindu goddess Gauri, dates back to the 10th century and was discovered in Bhanpura, near Mandsaur, Madhya Pradesh, a region known for its rich artistic heritage from the Pratihara dynasty. Gauri, often identified as a manifestation of Parvati, Shiva's consort, embodies purity, fertility, and divine energy, and is widely revered as a benevolent mother goddess. Her presence in domestic and temple settings signifies blessings for well-being and prosperity. The sculpture depicts Gauri standing in a symmetrical posture (samabhanga) on a plain pedestal. While some of her attributes are now lost, typical iconography for Gauri from this period often shows her four-armed, holding a rosary, lotus, Banana (Kadali-phala) and water-pot. Notably, a mongoose is partially visible on the pedestal and typically identified as her vahana or vehicle. This particular detail, along with the presence of Ganesha often near her, affirms her connection to the Shaiva pantheon. The artistry of the piece, though weathered, reveals a refined carving style, with emphasis on delicate features and flowing drapery, characteristic of Central Indian sculpture from the 10th century. The intricate details of her jewelry, though subtle, would have once shimmered, enhancing her divine aura. This Gauri sculpture offers a glimpse into the devotional practices and sophisticated artistic traditions of early medieval India, highlighting the enduring reverence for the divine feminine
